Among the many layers of traditional Japanese clothing, the hanten (半纏 or 袢纏) stands out as a practical, durable, and culturally resonant garment. Worn by men of the working and merchant classes from the Edo period onward, the hanten served both functional and expressive purposes. It is a short jacket, typically hip-length, with straight-cut sleeves and a padded or lined interior for warmth. While the outer kimono might be formal or ceremonial, the hanten reflected the rhythms of daily life—its work, leisure, and seasonality.
The hanten emerged in the Edo period (1603–1868), coinciding with the rise of a prosperous merchant class and a burgeoning urban culture. As clothing codes for samurai, merchants, artisans, and farmers became increasingly codified, the hanten developed as a jacket primarily associated with the common classes. Unlike the longer, more formal haori, which descended from garments worn by samurai and later adapted by the upper merchant class, the hanten was utilitarian at its core—designed for comfort, warmth, and mobility.
Constructed similarly to the haori but shorter in length and usually wider in cut, the hanten was often worn over a kimono or over a juban for house wear or work. Cotton was the standard material, often quilted or padded with a layer of cotton wadding (wata) between the outer and inner layers for insulation during cold months.
A typical men’s hanten consists of a plain or patterned cotton outer shell, often in indigo or brown, and a lining in lighter cotton or silk. The collar is often reinforced with a black or dark-colored silk or cotton facing (eri), and the garment is secured at the front with ties. While unassuming in cut, hanten often bear strong graphic elements, especially on the back panel.
One of the most striking features of many hanten is the presence of bold resist-dyed or stencil-printed insignia, crests, or characters on the back. These might represent the wearer’s family crest (kamon), the logo of a business or guild, or auspicious symbols for protection and luck. In occupational contexts—such as fire brigades, shop staff, or delivery workers—the hanten functioned much like a uniform, identifying one's affiliation or trade.
For example, firemen's hanten (hikeshi banten) were often heavily quilted and bore striking symbols in white against indigo. These protective jackets were sometimes soaked in water before firefighting. While more specialized than the ordinary hanten, such garments reflect the broader ethos of purpose-built, visually distinctive workwear.
The hanten occupies an important place in the visual culture of the late Edo and Meiji periods, as it was one of the few garments in which working men could express identity, solidarity, or pride in occupation. In a social environment regulated by sumptuary laws and hierarchical clothing rules, the hanten allowed a degree of visual individuality, especially among artisans, shopkeepers, and laborers.
During festivals, hanten became celebratory garments—emblazoned with festive motifs, team names, or emblems. Festival hanten (matsuri hanten) were often brightly colored and designed to unify a group of participants visually, whether a local shrine group or a neighborhood team. These versions of the jacket survive today in Japanese matsuri celebrations, sometimes referred to by the overlapping term happi.
The hanten also played a domestic role. Padded winter hanten were widely worn indoors as house jackets, offering warmth during the unheated Japanese winters. These domestic versions were sometimes sewn at home or gifted at the New Year. They offered a comforting, practical garment worn by both men and women, though men’s styles were typically darker and broader in cut.
While no longer a daily garment for most, the hanten remains embedded in Japanese material culture. Traditional versions are still produced, particularly in regions known for cotton or indigo dyeing, such as Kurume or Aizome areas. They are sold today as loungewear or casual outerwear, valued for their comfort, simplicity, and nostalgic associations.
Collectors and textile enthusiasts have also shown growing interest in vintage hanten, especially those bearing bold kanji characters, company logos, or intricate resist-dyeing techniques. Many late 19th- and early 20th-century examples were made with handspun, handwoven cotton and dyed using natural indigo, qualities now prized for their craftsmanship and authenticity.
In contemporary fashion, the hanten has inspired reinterpretations in Japanese streetwear and artisanal menswear, often stripped of logos but retaining the square silhouette and padded construction. As with many aspects of traditional Japanese dress, the hanten continues to evolve while retaining a strong connection to its cultural roots.