This textile represents a masterful example of kata-yuzen dyeing technique applied to rinzu silk during the culturally rich Taisho period, when Japanese artisans were refining traditional craft methods while absorbing modernist influences. The design features stylized hollyhock leaves (aoi) rendered in an elegant openwork pattern that creates a sophisticated interplay between positive and negative space. The leaves are depicted with intricate internal veining that demonstrates the precision possible with kata-yuzen stencil resist dyeing, where each delicate line required careful planning and execution to achieve such crisp definition against the sumptuous purple ground.

The aesthetic approach reflects the Japanese principle of sukashi (openwork design), where the beauty lies as much in what is absent as what is present, creating a sense of lightness and transparency despite the rich, saturated color palette. This treatment of natural motifs as decorative patterns rather than naturalistic representations aligns with the broader Arts and Crafts movement's influence on Japanese design during this period, where there was renewed interest in the inherent beauty of traditional craft techniques. The hollyhock motif carries deep cultural significance in Japan, being associated with the Tokugawa family crest and representing noble aspirations and protective qualities. The all-over pattern arrangement demonstrates the Japanese concept of unlimited repeat design, where motifs flow seamlessly across the garment surface without obvious beginning or end, creating a sense of natural abundance while maintaining perfect compositional balance. The sophisticated purple and cream color scheme suggests this was a garment for someone of refined taste and social standing, embodying the Taisho era's blend of traditional elegance with contemporary aesthetic sensibilities.

Its measurements are 50 inches (127 cm) from sleeve-end to sleeve-end and 39 inches (99 cm) in height.