The kimono features a bold, almost abstract composition that would have been quite avant-garde for its time.

The design consists of large, overlapping rectangular forms in vibrant red and golden yellow that appear to float across the garment's surface against a deep black background. These geometric shapes are arranged in a seemingly random, scattered pattern that creates dynamic visual movement that evokes modern art movements such as abstract expressionism or constructivism. The rectangles vary in size and orientation, with some appearing to tumble or cascade across the fabric, creating a sense of three-dimensional depth and spatial play.

The base fabric is rinzu (damask) silk, which incorporates a subtle but sophisticated sayagata pattern - a traditional Japanese geometric motif consisting of interlocking manji (swastika-like symbols) that form a continuous, interconnected design. This ancient pattern, woven into the silk as a figured ground, provides textural interest and cultural continuity beneath the bold modern surface design. The sayagata motif is visible as a subtle texture within the black areas, creating an elegant contrast between the traditional damask technique and the contemporary graphic composition.

The technical execution demonstrates exceptional skill in combining traditional Japanese textile methods with modernist aesthetic sensibilities. The crisp edges of the rectangles and their precise color registration suggest the use of sophisticated stenciling or resist-dyeing techniques, while the underlying damask weave showcases the continuity of classical Japanese silk production methods.

This kimono represents a fascinating moment in Japanese design history when traditional crafts were being reimagined through the lens of international modernist movements. The bold geometric abstraction, limited color palette, and dynamic asymmetrical composition share similarities with Western avant-garde art while maintaining the structural integrity and technical excellence of Japanese textile traditions. The result is a garment that functions both as wearable art and as a testament to the adaptability and innovation possible within traditional craft practices.

Its measurements span 48 inches (122 cm) from sleeve-end to sleeve-end and stand at 60 inches (152 cm) in height.

This artwork is featured on page 308 of Art Kimono: Aesthetic Revelations of Japan, 1905-1960. This book, published by Yorke Antique Textiles, can be previewed or purchased on our website here.

This piece also featured on page 95 of the Spring 2022 edition of Arts of Asia.

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