This textile exemplifies the bold geometric aesthetic of Japanese folk art during the interwar period, showcasing the sophisticated craft of kata-aizome (indigo resist stenciling) that flourished in working-class garments. The hanten displays a striking composition divided into two distinct visual zones: the upper portion features a large-scale mon (family crest) beneath a protective roof-like triangular motif, while the lower section presents an intricate maze-like pattern of interlocking geometric forms rendered in crisp white against the deep indigo ground.

The design reflects the influence of modernist sensibilities that were permeating Japanese design during the 1920s and 1930s, particularly the geometric abstraction that characterized the period's graphic arts and industrial design. The labyrinthine lower pattern demonstrates the technical mastery of katazome artisans, who could achieve such precise, complex geometric repeats through their sophisticated stencil-cutting techniques. This type of angular, maze-like motif became increasingly popular during Japan's modernization period, reflecting both traditional Japanese geometric patterns and contemporary influences from Art Deco and Bauhaus design movements that were being absorbed into Japanese visual culture. The bold contrast and graphic clarity of the design would have made this garment both functional workwear and a statement of modern style, embodying the democratic ideals of mingei (folk craft) philosophy that celebrated the beauty found in everyday utilitarian objects. The protective roof symbol above the family crest suggests themes of shelter and prosperity, while the geometric maze below might represent life's journey or the interconnectedness of community bonds.

It measures 50 inches (127 cm) from sleeve-end to sleeve-end and stands at 33 inches (84 cm) in height.