This silk dounuki exemplifies the Japanese aesthetic philosophy of mottainai - the principle of avoiding waste by finding beauty in the repurposing of materials. The patchwork construction creates a striking visual composition that celebrates both frugality and artistry, transforming remnants of precious silk fabrics into a cohesive yet dynamically varied garment. The arrangement of fabric squares creates an almost quilt-like sensibility that predates and parallels the American crazy quilt movement of the late 19th century, though here it serves the practical purpose of creating an under-kimono from valuable silk scraps.

The individual fabric motifs reveal a rich vocabulary of traditional Japanese symbolism and decorative techniques. The teal sections display elegant karakusa (arabesque) patterns with stylized floral medallions, representing prosperity and continuous growth through their endless flowing vines. The deep purple panels feature delicate botanical sprigs and what appears to be a large circular fan or wheel motif with linear striations, possibly representing the passage of seasons or the Buddhist wheel of dharma. The warm orange sections contain scattered circular shibori resist-dyed patterns, creating cloud-like or bubble formations that evoke natural phenomena like morning mist or cherry blossom petals floating on water.

The lower portion's geometric circular patterns in gold and brown tones suggest stylized chrysanthemum blooms or abstract solar symbols, both auspicious motifs in Japanese culture representing longevity and imperial power. This patchwork technique reflects the Edo period's sophisticated understanding of color harmony and pattern balance, where seemingly disparate elements are unified through careful attention to tonal relationships and visual weight, creating a garment that embodies both resourcefulness and refined aesthetic sensibility.

It measures 48 inches (122 cm) from sleeve-end to sleeve-end and has a height of 59 inches (150 cm).