This striking boys' ceremonial kimono represents a bold departure from traditional aesthetic conventions, showcasing the experimental spirit and cultural confidence of the Taishō period. The vibrant purple ground creates an immediately arresting visual impact, while the scattered shishi (lion-dog) motifs are rendered in sophisticated tonal variations of green and gold that demonstrate the period's embrace of more daring color combinations. The katazome stenciling technique provides precise, repeatable motifs across the garment's surface, while hand-painted highlights add individual character and depth to each lion figure, creating a dynamic interplay between mechanical precision and artistic spontaneity.
The artistic execution reflects the Taishō era's synthesis of traditional craftsmanship with modernizing influences, where artisans felt increasingly free to experiment with unconventional palettes while maintaining technical excellence. Each shishi is depicted with characteristic fierce expression, bulging eyes, and flowing mane rendered in swirling patterns that suggest both power and movement. The creatures' open mouths reveal fangs and interior details painted in warm orange-gold tones that create striking contrast against the cool purple background. This color relationship—purple and green with gold accents—demonstrates the period's sophisticated understanding of complementary color theory and willingness to challenge more conservative aesthetic traditions.
Symbolically, the choice of multiple shishi motifs for a young boy's ceremonial garment carries profound protective significance, as these guardian lions are believed to ward off evil spirits and bring good fortune. The unconventional color scheme, rather than diminishing the motifs' spiritual power, may have been intended to enhance their otherworldly, supernatural qualities. The small, padded construction indicates this was designed for a very young child, suggesting parents who were confident enough in the modern era to embrace bold artistic choices for their son's ceremonial wear, reflecting the Taishō period's characteristic blend of respect for tradition with enthusiasm for creative innovation and cultural experimentation.
It measures 33 inches (84 cm) from sleeve-end to sleeve-end and stands at 34 inches (86 cm) in height.
This artwork is featured on page 56 of Art Kimono: Aesthetic Revelations of Japan, 1905-1960. This book, published by Yorke Antique Textiles, can be previewed or purchased on our website here.
This piece also featured on page 131 of the January-February 2018 edition of Arts of Asia.