This textile represents a fascinating intersection between traditional Okinawan artistry and modern Japanese manufacturing techniques during the post-war period. The design mimics bingata, the celebrated resist-dyeing tradition of Okinawa, but achieves its effect through silkscreen printing rather than the labor-intensive hand-stenciling process of authentic bingata. The composition features a lush tropical paradise rendered in a sophisticated palette of coral pink, sage green, lavender, and cream against a deep navy ground, creating the characteristic high-contrast aesthetic that defines bingata's visual impact.

The motifs celebrate the natural abundance of Okinawan flora and fauna, with graceful birds in flight weaving through blooming hibiscus, cherry blossoms, and various tropical flowers and foliage. This imagery evokes the Ryukyu Kingdom's cultural identity as a maritime trading nation blessed with perpetual spring, where nature's beauty was central to artistic expression. The design philosophy reflects the Japanese concept of mono no aware—the bittersweet awareness of the transient nature of beauty—while simultaneously celebrating life's abundance through its dense, all-over floral composition. The use of silkscreen technology to replicate bingata patterns speaks to Japan's post-war embrace of industrial modernization while maintaining cultural continuity, representing a democratic approach to luxury that made previously exclusive court textiles accessible to the emerging middle class. The flowing, organic arrangement of elements demonstrates the enduring Japanese aesthetic principle of asymmetrical balance, where natural randomness is carefully orchestrated to create visual harmony that appears effortless yet sophisticated.

It has a small repair on the inner shibori lining. Its measurements are 48 inches (122 cm) from sleeve-end to sleeve-end and 37 inches (94 cm) in height.